Key Address: And now we leave gloves and other wearables to (small) dictators   NIME, JUNE 2014, Goldsmith- London  (video of presentation/performance here)

“Seizing a sound and smelling its belly to fit it in a folder” ARCANA III Musicians on Music, John Zorn. Hips Road 2008

“On my work” Improvisation – Maria Uitti, ed . Contemporary Music Review # 25.  Routledge 2006

Rodgers, Tara Pink Noises: Women on Electronic Music and Sound, Duke University Press Books 2010, ISBN 0822346737. pp. 8, 9-10, 54, 202

Hunt, Jerry (website) . Some observations on the work and work procedure of Laetitia Sonami

Chadabe, Joel Electric Sound: The Past and Promise of Electronic Music. Prentice Hall, 1997 ISBN 0-13303231-0, pp. 100, 229-230

Gann, Kyle American Music in the Twentieth Century. Schirmer Books, 1997 ISBN 002864655X, pp. 381, 382

Marty, Eric San Francisco Contemporary Music Players and CNMAT in Concert, Computer Music Journal, Winter 1998

Wilson, Stephen Information Arts: Intersections of Art, Science, and Technology. MIT Press 2002, Cambridge MA/ London, England. ISBN 0-262-23209-X. p. 749

Malloy, Judy, ed. Women in New Media. MIT Press 2003, Cambridge MA/London England. ISBN 0-262-13424-1. pp. 94,356

Schwartzman, Madeline  See yourself Sensing – redefining human perception. Black Dog Publishing 2011, ISBN 978-1-907317-29-3. p.111

Rodgers, Tara. 2010. Pink Noises – Women on electronic music and sound. Duke University Press. (Laetitia – a scan would be good here)

Chadabe, Joel. 1997. Electric Sound- The Past and Promise of Electronic Music. Prentice-Hall.